im fine

Ariana Grande - Lovin' It

Baby don't you know you got all my love, all my love
Baby don't you know you got all my love, all my love

Hold up, wait, before you go just stay
And talk to me for a little
Baby, won't you loosen up just a little, uh?

See what you don't understand is falling in love wasn't part of my plan
Started with a crush
I call you my man
Doubt that I'd fall in love, ever fall in
Ever fall in love again

'Cause you give me chills every time we chill I spend all of my days
Doin', doin'

Nothin' but lovin' you
Nothin' but lovin' you baby
(Boy you got all my time)
I'm lovin' your lovin'
I'm lovin' it, lovin' it baby
(Boy you got all my, all my)
Love and affection
All my attention
You don't gotta question
If I'm really
Lovin' your lovin'
I'm lovin' it, lovin' it baby
(Boy you got all my, all my)

Hold up, wait, shut up and kiss me, babe
I just wanna get a little taste
I just wanna get a little taste before you go

See what you don't understand is fallin' in love wasn't part of my plan
Started with a crush
I call you my man
Doubt that I'd ever fall in
Love, ever fall I love again?

'Cause you give me chills every time we chill
I spend all of my days
Doin', doin'

Nothin' but lovin' you,
Nothin' but lovin' you baby
(Boy you got all my time)
I'm lovin' your lovin'
I'm lovin' it, lovin' it baby
(Boy you got all my, all my)
Love and affection
All my attention
You don't gotta question
If I'm really
Lovin' your lovin'
I'm lovin' it, lovin' it baby
(Boy you got all my, all my)

Savor my trust
Don't mess this up
(You got me fallin' in love, you got me fallin' love, you got me fallin' so hard)
Boy you change the way I breathe
When you put your lips on me
I adore you
So let me make it clear that you're the boy that all I need
My baby

Nothin' but lovin' you,
Nothin' but lovin you baby
(Boy you got all my time)
I'm lovin' your lovin'
I'm lovin' it, lovin' it baby
(Boy you got all my, all my)
Love and affection
All my attention
You don't gotta question
If I'm really
Lovin' your lovin'
I'm lovin' it, lovin' it baby

Baby don't you know you got all my love, all my love
Baby don't you know you got all my love, all my love

Dreams Come True

Taylor Swift's dream just came true! She does a duet with her idol, Tim McGraw. It comes out today (February 05th 2013) on iTunes. Download it now! The title is "Highway Dont Care". It such a really amazing song. I've heard it and I freaking love it!
So yeah, everyone knows that Taylor loves Tim McGraw so much. She had one song with "Tim McGraw" as the title. Woah! She must be so damn happy. I think she's so excited when she knew she's in one studio with Tim McGraw. lol.
AHAHAHAH OKAY SOOOOOOOOOOOOOOO IF YOU'RE A SWIFTIE AND TIM MCGRAW FANS GO DOWNLOAD IT NOOOOOOOOOOOOWWWWW!

Miranda Kerr

Samuel L. Jackson Covers Taylor Swift’s ‘We Are Never Ever Getting Back Together’

Taylor Swift‘s ‘We Are Never Ever Getting Back Together’ has gotten the cover treatment hundreds of times, but the forceful kiss-off tune has never sounded more seething than coming from the mouth of actor Samuel L. Jackson.

During a recent interview on UK radio station Capital FM with hosts Dave Berry and Lisa Snowdon, a call-in listener requested to hear the Swift track. The ‘Snakes on a Plane’ actor went above and beyond for the presumably heartbroken woman by offering a rather poetic performance of the track on-air.

Well, the impromptu performance was more of a monologue than a musical number, but the meaning behind ‘We Are Never Ever Getting Back Together’ has never been more clear.

Maybe Swift should enlist Jackson to help pen the inevitable response to her split with One Direction‘s Harry Styles. She is back in the studio, after all!

Taylor Swift Named One of Forbes’ 30 Under 30

Taylor Swift has landed on another annual countdown, earning a coveted spot on Forbes’ 30 Under 30 feature as one of the most innovative, financially-friendly young musicians of 2012.

Swift, who just turned 23 on Dec. 13, joins the ranks of pop heavyweights Justin Bieber, Adele, Bruno Mars and Marcus Mumford (of Mumford & Sons) on the year-end countdown, which measures the social and financial relevance of young professionals in 15 different categories.

The ‘I Knew You Were Trouble’ singer’s current fling, Harry Styles, also appears on the shortlist of America’s top musicians as a collective member of the boyband phenomenon, One Direction.

Earlier this year, Swift was named the wealthiest celebrity under 30 by Forbes, earning a jaw-dropping $57 million in income between May 2011 and May 2012. The singer knocked Lady Gaga from No. 1 — she held the top-earner title the previous year.

The country music superstar, who recently snagged six World Music Awards nominations, will no doubt remain a strong competitor on Forbes’ tally leading into 2013. Swift’s latest studio album, ‘Red,’ has sold more than three million copies worldwide in just two months — enough to make the collection of the the top sellers in all of 2012.

She is also set to embark on her headlining 2013 Red Tour in March, and will play more than 60 shows before wrapping the road excursion in Nashville next September. With a reported $1 million paid per show, it’s likely to expect Swift on next year’s countdown as well.

Taylor Swift Unfazed by Being Criticized, Dubbed ‘Not Country Enough’

Much like Carrie Underwood, Taylor Swift isn’t one to go around slapping labels like “pop” or “country” on her music. No, that’s too confining — she’d rather just do her own thing in the way she sees fit.

“I leave the genre labeling to other people,” the cross-genre hitmaker tells the Wall Street Journal. “I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.”

Swift echoed that sentiment when speaking to Spin about her 2012 album, ‘Red,’ which has been named one of thebest country records of the year. “I really just wanted to have every single song reflect a different kind of sonic shade,” she explains of her creative direction. “And what I mean by that is, for me, as a country artist, on your fourth record, I don’t think you should only get to use certain instruments, and that certain other kinds of styles of music and influences should be off-limits. I just really liked painting with all different kinds of colors on this record. I kind of approach the songs from an emotional place, like, how did that emotion actually feel?”

The now-23-year-old star was greatly criticized by country fans for stepping too far out of bounds on the record, which impacted in October, but she insists that doesn’t faze her. “I think if you sit there and think I have to put this instrument on this song because if I don’t people will think that I’m in a different genre, then I think that is possibly overthinking what you do,” she says.

Swift took liberties with her new album that are typically unheard of in the country genre — like sampling a little dubstep — but she assures that she’s not worried about how people perceive her music or whether or not it ‘fits’ the mold. “I think that’s kind of a criticism of like 65 percent of the country artists that are out right now,” Swift reveals. “It’s like the most popular criticism of a country artist — that you’re not country enough.”

As Swift tells Time Magazine, she learned her lesson a long time ago when it comes to being labeled a certain way. “Almost every time I put something out, there’s the word ‘too’ put in front of what it is — too pop or too country or too rock,” she shares. “I had a song last year called ‘Mean’ — we were lucky enough to win two Grammys with it — and I remember reading a few articles that said it was too bluegrass. So I kinda stopped worrying about it.”

She adds poignantly, “I’d rather be too something than not enough something.”