So you’re working with Timbaland on the next album?
Justin Bieber: We’ve been making such good songs in the studio.
That’s what I wanted to talk about.
Scooter Braun:I don’t know. I just got here. I’m
going to literally go in and then leave. They’re probably going to play
it for me, and I’m going to be like, “Dope” and then leave. I’m all
excited, because I just want him and Tim to bond, which I heard you guys
have been doing.
JB: Yeah. He jumped on the table, because he heard
“Circles.” He said he was going to jump on the board if he thought it
was crazy. He jumped on the board once he heard the song I did.
What is the vibe of the Timbaland stuff, if you could compare it to anything?
SB: Frank Sinatra... No, I’m kidding [Laughs.] [To JB] You tell me. I haven’t heard it yet.
Is it rappy? Poppy? Any experimental stuff for you?
JB: The stuff he’s blessing me with has been crazy.
He’s giving us really fire stuff, crazy beats. We’re making it a great
collaboration. He meshes well with a lot of great people, like he meshes
well with Timberlake, Missy Elliott, Nelly Furtado. I’m hoping I’m
another one that he meshes well with, because it could be really genius.
SB: I haven’t even been there, but I know what I
want it to be. When you say, “What is it like?” my hope is that it’s
Justin Bieber. That’s the conversation that we’ve had with every
producer, and I think Tim is the guy that got really excited and
understood that he can’t go out and just do the sound of today
completely. He’s in a place where he can push the needle of pop music,
and Tim is a producer that’s been associated with those kinds of
projects. I think that’s what we want, Justin to be able to push the
needle and define his own sound.
Can you guys say who else is producing on the album yet?
SB: We can’t say who is working on the album, because we don’t know which tracks we’re going to use.
JB: I’m the main writer on the album. I’ve been writing most of the stuff, with other people co-writing.
SB: I just saw Jermaine Dupri in the airport yesterday, and he really wants to get in with Justin.
Are you and Jermaine still tight?
SB: Yeah. We’ll always be tight. Jermaine gave me an
opportunity when I was 20 years old. But we want to hone in on two to
three guys, so we’re trying different things. Oh, and Bruno Mars.
JB: When are we doing that?
SB:That’s March. They wanted to do it around your
birthday. I said we’ll do it after your birthday, because you’ve got the
week off. So we’re going to try different people, but I think the most
excited he’s been, from what I’ve seen, and the most excited I’ve been,
is this week. [To JB] Would you agree with that?
JB: Yeah. I’d say so, because the stuff we’ve been working on is way better than the stuff we were working with before.
SB: Not only that, I think Tim is the only one with the experience and maturity to produce him.
JB: His beats are crazy, and they’re not too like...
SB: I think also, he has conversations with you
about music, and he asks you what you’re thinking and feeling. With
everyone else, they’re just here to make tracks, and that’s not what
we’re looking for. Tim is having a real conversation with him to get a
feel for what he needs, and that’s why Tim is one of the best that ever
did it, as a producer. And I can tell you he’s excited, because he wants
to do this. It’s not a project that we asked him to do. He wanted to do
it, and so did we.
He’s coming off the Blueprint III, and everyone knows how talented Timbaland is.
SB: I also think Tim heard the records. Tim called me...
JB: Yo, Tim played me some records that he and Justin did—crazy.
SB: There’s, like, a vault of them [Laughs].
I talked to Tim on the phone the other day, and I’m going to see him
for the first time, because I just flew in this morning, but the thing
that he said to me that I was excited about was, “He’s played me the
stuff that he’s done already, and I’m just excited, because it seems
like Bieber’s going for the forever record and not the kiddie shit. This
album’s going to shock people.” And everyone that’s gone into the
studio and heard everything that he’s done already, has come out and
said, “I’m fucking so excited for this album.” And we’ll do all the
cameos at the end. I will tell you this, we’re not putting out this
album until all of us, as a family, can look at each other and say,
“This is the best this album can possibly be.” And he and I have had
these conversations. We talk about it. It’s a make-or-break.
Justin, you sing pop music, but you’re obviously a big hip-hop fan. How did you learn how to rap?
JB: I would say, just by listening to other rappers
and stuff. I was writing raps when I was really young, just kind of for
fun. But just from listening to 2Pac and stuff.
The “Who Shot Ya?” freestyle was a bold move for you to do.
That’s a classic beat, there’s a lot of stuff around that song. Did you
ever fear how it would be received?
JB: I just kind of did it for fun. We were just
messing around. I just rap for fun. Nothing to take seriously. When I’m
on my album, I’m going to do a little bit of rapping.
Right. That song “Boyfriend”?
JB: Yeah.
What did you say in the rap?
JB: I said, “Tell me what you like, dear/Tell me
what you don’t/I could be your Buzz Lightyear, fly across the globe/You
don’t even need to fight, dear, you already know/I can make you shine
bright, like you’re laying in the snow/Burr.”
The thing that I got from that “I tell my girl” line is that
you’re much more savvy than people may see. Are you ready to
translate... Because you’re still on every teeny-bopper magazine, but
are you ready to translate into being a young man?
JB: I’m ready. I feel like it’s my responsibility to
be the greatest I can be. If I go out there and start making terrible
music, I don’t expect people to like me. If I’m making great music and
there’s no reason for people to not like me, that’s when it’s going to
make me upset. People just need to take a chance and listen. If they
don’t want to take a chance, then I don’t know. That’s going to be the
biggest problem, to make them feel like it’s cool for them to like my
music.
